Are you a multidisciplinary mold-breaker?
TED2012 Fellowship applications are now open! Apply here.
Interactive Fellows Friday Feature:
Join the conversation by answering Fellows’ weekly questions via Facebook. This week, Genevieve asks:
Do you think the urge to create art is a universal human quality, or did a group of people ‘invent’ it (say, prior to humans leaving Africa), and then share it with others?
Starting Saturday, click here to respond!
Congratulations on being one of the TEDGlobal 2011 Fellows! How is your first TED Conference going?
It’s been such a great time. The Fellows are all brilliant — that was kind of a given — but they’re also incredibly nice! They’re all so passionate and want to share. Typically when you’re dealing with brilliant people, they’re not always the most personable. But every single one of the Fellows is fantastic. My roommate, Bilge Demirkoz, works at CERN, and I couldn’t have asked for a better roommate. We get to talk particle physics at night, which makes me really happy, because that’s always been a fascination of mine.
I felt great about my talk on Monday during the Fellows’ pre-conference. We had time with a professional speaking coach, and I’m feeling really good going in to my main stage talk coming up on Friday.
And as for my work, Autodesk, one of the sponsors here, takes photographs and turns them into 3-D renderings. I’m chatting with them about possibly doing that for some of the interiors of cave art sites, with all the renderings of geometric signs in their places. I’m excited about possibly partnering with them on this project that could give people a virtual experience of being in the cave.
What got you into studying the geometric signs of cave art?
I knew I wanted to be an archeologist since I was a kid. In my last year as an undergrad, I took a class called Paleolithic Art. While I was sitting in the classroom, they were putting up all these beautiful images of animals: rock art in Europe that was done between 10,000 and 35,000 years ago. The animals are amazing — they’re huge, they’re done using perspective, color, and shading … you can see why the animals become the focus and the obsession.
What I kept noticing in the corners and around the edges of the photos, were these little geometric shapes. They were around the animals, on the animals, near the animals … but they were never centered in the photos.